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Jan. 16, 2024

What Can We Learn From Drag Queens?

In this episode of Talking Hospitality, we delve into the fascinating world of drag and what lessons the hospitality industry can learn from them.

Summary

The Covid-19 pandemic had a devastating impact on the drag queen community, with performers losing their primary source of income.

Many drag queens turned to digital platforms to perform for their fans, but it wasn't always enough to make ends meet.

As the pandemic continued, drag queens found new ways to adapt, such as starting their own businesses or hosting outdoor events. The drag scene has evolved over the years, especially with the influence of RuPaul's Drag Race.

During lockdown, drag queens used social media to create content and connect with their audience. Advice for those going through difficult times includes finding joy every day, surrounding yourself with good people, and maintaining a positive attitude.

Whilst lockdown seems a distant memory, how are Drag Performers managing now?

To help answer this question hosts Timothy R Andrews, Tracey Rashid, and Sarah Kettel explore the resilience and creativity of drag artists and the challenges they face.

They are joined by the effervescent drag performers Mary O'Kart, Stephanie Von Clitz, and Linda Bacardi in one of our most of the wall episodes yet.

Takeaways

  • The Covid-19 pandemic had a devastating impact on the drag queen community, with performers losing their primary source of income.
  • Drag queens turned to digital platforms to perform for their fans, but it wasn't always enough to make ends meet.
  • Drag queens found new ways to adapt during the pandemic, such as starting their own businesses or hosting outdoor events.
  • The drag scene has evolved over the years, especially with the influence of RuPaul's Drag Race.
  • During lockdown, drag queens used social media to create content and connect with their audience.
  • Advice for those going through difficult times includes finding joy every day, surrounding yourself with good people, and maintaining a positive attitude.

Titles

  • The Evolution of the Drag Scene
  • Using Social Media to Connect with Fans

Sound Bites

  • "The Covid-19 pandemic has had a devastating impact on the drag queen community."
  • "Drag queens found new ways to adapt, such as starting their own businesses or hosting outdoor events."
  • "Drag started as a necessity centuries ago when plays needed female characters, but they were played by men."

Chapters

00:00 The Impact of Covid-19 on the Drag Queen Community

02:05 Adapting and Finding New Ways to Perform

05:43 The Evolution of the Drag Scene

08:06 Using Social Media to Connect with Fans

11:56 Surviving and Continuing to Perform During Lockdown

20:50 Supporting local drag artists

25:12 The power of drag in bringing joy and inclusivity

26:07 Advice for those facing difficult situations

Transcript
Speaker:

The COVID-19 pandemic has had a


devastating impact on the drag queen



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community.



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With bars and clubs closed for months on


end, performers lost their primary source



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of income.



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Many were forced to find new jobs or rely


on government assistance.



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In the early days of the pandemic, some


drag queens turned to digital platforms to



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perform for their fans.



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They hosted virtual drag shows, sold


merchandise online and even streamed their



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lives on social media.



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However, these efforts were not always


enough to make ends meet.



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And as the pandemic dragged on, many drag


queens found new ways to adapt.



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Some started their own businesses, such as


makeup tutorials or drag weave fitness



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classes, others turned to teaching or


writing.



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And still others found new ways to


perform, such as hosting drag branches or



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performing at outdoor events.



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As things have reopened, we want to find


out what drag queens are doing now.



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Have things returned to normal or have


things changed?



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you



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Welcome to a very special edition of


Talking Hospitality with two T's and a



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catel.



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I'm Timothy R.



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Andrews and I'm delighted to share that we


have a full house today.



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I'm joined by my wonderful co-hosts, the


delightful Tracy Rashid and the fabulous



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Sarah Catel.



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We have quite a spectacle lined up for


today.



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A round table discussion with three


immensely talented and vivacious drag



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queens.



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From Flynn Burge, aka Linda Bacardi, Harry


Casella,



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aka Mario Kart and Steven Maugham aka


Stephanie Von Keats.



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We're here courtesy of the Brighton Box


Gallery who are sponsoring today's event.



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The Brighton Box is an LGBTQ plus owned


award winning art gallery in the heart of



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the lanes, Brighton.



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Whatever your preferred style of art, the


Brighton Box Gallery is able to offer a



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wide range of unique and local artists at


thebrightonbox.com.



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Excited to have you all here with us


today?



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So let's start from the very beginning.



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So what we want to know is what inspired


you to get into drag or let's use drag as



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a verb here.



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Why do you drag?



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Let's start with Flynn.



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I was inspired to be honest.



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I've been doing drag for about 50 years.



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I started with the likes of Lily Savage


and whatever you started at the Black Cap



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in Camden.



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And I used to do websites with the likes


of Sandra and Titi Lacam, Boy George



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Experience, some of which are still on the


scene now.



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and being quite technical and whatever


you.



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And then one day I got asked to join in on


the drug amateur dramatics group called



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the Drama Queens.



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And that inspired me to take it up full


time.



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And then I turned from just somebody enjoy


putting makeup on, being a man in a dress.



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It was an evolution and then I became a


drug week.



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And 15 years later, she's still doing it.



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Amazing.



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Good way back then.



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Oh yeah, yeah.



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Here goes my name.



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How about you Harry or Shagami Mary?



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You can call me everyone darling.



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Someone's calling me.



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So I started doing a lockdown.



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Before lockdown happened, I was a dancer


on cruise ships for like five years.



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And then the pandemic put a halt to that


because nothing could happen.



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So I basically came home and was like, I'm


over dancing on cruise ships.



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I wanted to try something else.



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And I've always been a huge fan of drag


and thought, well, I'll just give it a go.



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Screw it.



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Let's try it.



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So I spent most of lockdown watching


tutorials.



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learning about drag, going to see these


two wonderful people here.



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I saw many shows, you too.



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I believe we worked together.



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Yes, we have.



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Yeah, we have.



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Watching and learning from what the queens


are doing on the scene and kind of molding



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myself and, you know, taking bits and


pieces from everywhere, like a jigsaw and



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kind of figuring out what I wanted to do


and just taking inspiration from



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everywhere and I do it because not to like


keep it on brand, but you know, it's Super



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Mario takes a magic mushroom or like, he


gets big.



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That's how I feel.



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When I do drag, like it's like I've taken


like that super mushroom or that superstar



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and you're just living your best life.



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So I do it because nothing compares to


that feeling when you're on stage and



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drag, like nothing compares to it.



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So that's why I do it and how I got into


it.



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And Stephanie.



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So for me, I started 12 years ago this


year.



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I was mentored by a drag queen called Bet


Rinse.



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And I did a guest spots at halfway to


heaven every Tuesday.



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My first residency was at the Adbal Duncan


in Soho.



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Mitchie have gone from there.



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Then I moved to Brighton, did a guest spot


at the Queens arms with Cosmic.



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And it all kind of evolved from that


point.



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And yeah, I mean, it's an honor to give


back to the scene as well, because what we



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do is we have an open mic night at the


Marine Tavern every Sunday, which



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encourages new artists to come and have a


go, just do it and.



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If it works, it works.



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If it doesn't just keep on going.



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And for me, I think drag is obviously a


complete art form in itself.



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The message that you can leave a crowd


with is always very powerful because you



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should always utilize your own voice and


carry that forward.



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Thanks for bringing your voices to our


show.



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In case some of our listeners, and they


might, because we know some of our



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listeners, don't have a clue what drag is.



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Here is a very brief history.



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Drag actually started as a necessity


centuries ago when plays needed female



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characters, but they were played by men.



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God forbid women should be allowed to


perform for a liling in the 17th century.



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In fact, it's thought to be called drag


because of the long dresses worn by the



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actors and their dresses dragged on the


ground.



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The times have changed and thank goodness


that this is now an art form, not female



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impersonation.



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And it's a whole lot more than that.



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And it's adored now in the mainstream and


there's a staple of the entertainment



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offering within hospitality venues across


the UK.



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So we've talked about history, but what is


drag for you?



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And I'm going to start with Stephanie.



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So drag for me, I touched on it briefly


earlier on, like Mary said, as well.



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It's very electric, that feeling when you


have on stage, if you know that you have a



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room he was engaging with you, there's no


better feeling.



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I think one of my



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favorite moments actually is when it comes


to I say festivals, but pride, because



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it's the message behind everything.



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And, you know, again, you have to push


that message to everyone and I'm not



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pushing it in forcing it upon someone.



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It's giant.



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Yes.



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And it's, and it's just the respect behind


everything and making sure everyone's



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included.



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I can't see myself doing anything else


now.



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It's great.



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I mean, 12 years in, I'll be like 80s, you


know, I'll last that long, but you know,



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who knows?



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A change now, isn't it?



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Well, you know, you know, you know.



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And no offence, Linda.



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Wait, you know.



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Says the 50 year old wild card in the


room.



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What are you, Harry?



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I'm Mary.



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Ethan's fine, darling.



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I think drag for me is just expression.



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And whether that's expression of gender,


whether that's expression of arts, whether



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that's expression of creativity, to me, I


don't think drag has one definition.



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I think it's evolved.



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so exponentially now that there isn't, you


can't define what it actually is.



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I know obviously you touched on what


you're saying about what it used to mean



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or in theory used to mean back then, but I


just think like, to me it is just



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expression and it's whether, whatever that


encapsulates, whatever you want that to



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mean in your own drag, that to me is drag.



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You know, you can get glamorous queens,


their whole thing is pageant style of



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drag, you can get gender non-conforming


drag, you can get...



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To me, everything is drag really.



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Like, I know not to quote RuPaul, but all


born naked and the rest is drag.



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That to me actually really resonates


because everything is like, everything is



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just, we put on clothing and we fit, you


know, you express yourself in what you're



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wearing now.



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Every one of us is expressing something.



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So to me that is drag.



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Yeah, it's just expression of everything.



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Is that famous saying all drag is valid?



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Correct.



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I agree.



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And I love that word expression as well.



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because everyone can express themselves.



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Exactly.



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There's no right or wrong.



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Exactly.



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It's just how you express yourself.



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And drag is just like in the traditional


sense of it, it's just exaggerated



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expression.



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But it is an art form of 12.



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Absolutely.



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An art form of, and it's having, you know,


it's a form of expression.



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Yeah.



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An individual.



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So Linda, you've done this for 15 years,


Slemmon, you've done this for 12.



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Have you seen the drag scene change over


the last decade or so?



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Definitely evolved.



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definitely changed for the better, I


think, because we started before RuPaul's



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Drag Race came along.



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And now it's encouraged a lot of people,


because it's been in the mainstream a lot



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more, to do it.



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And I think that can only be a positive


thing.



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To have the courage to even get on a stage


and to be inspired or influenced by other



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people, certainly now.



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And years ago, there were matriarchs who


paved the way, and that should never be



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forgotten either.



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So it's different times, but again, there


are queens who have done it for years who



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will always help newer artists like myself


and others, give it back, help and



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encourage because if you don't, it'll go.



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Yeah.



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I mean for myself, I'm a child of the 70s


and I was brought up watching the likes of



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the two Ronnies and Littlen and Large and


Les Dawson, Larry Grayson.



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Some of them were quite bad gay


stereotypes because of the climate.



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the legal climate there was then, but


there was also a lot, you know, so Kenneth



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Williams, there was also a lot of, uh,


just circulation and, uh, you know,



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exaggeration, pomp and ceremony where I


got my inspirations from was watching all



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that sort of laughter, variety,


expression.



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And then that took me on a journey when I


was a DJ in my twenties and in my youth.



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And then that went on to me in my thirties


learning about drag, you know, I'm now 50,



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where I started and I look at the pardon


if this sounds condescending, it's not



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meant to an end.



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I see the new age of drag now.



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There's an old school, there's a new


school, there's a new school, there's an



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old school.



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There might be those queens from an older


generation such as myself, some more



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established than others, that will


criticize the young style of drag.



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All the new schools, shall we say.



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But I know that it's an evolution.



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Love or hate.



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RuPaul's Drag Race, but it inspires


people.



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And as long as somebody takes something


from it and makes it their own, if you



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copy it, you copy it and just put a


lipstick on a mime to a Whitney Houston



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song and think, drag queen, that's not my


thing.



216


00:10:44,813 --> 00:10:48,754


But if you take something from it, make it


your own and you're inspired from it and



217


00:10:48,754 --> 00:10:51,055


then you perform and you can entertain.



218


00:10:51,055 --> 00:10:51,695


I'm all for that.



219


00:10:51,695 --> 00:10:54,556


That's the art and the creativity.



220


00:10:54,996 --> 00:10:57,297


Really incredible, isn't it?



221


00:10:57,297 --> 00:11:00,042


And I think the normalising of the


acceptance as well, I think.



222


00:11:00,042 --> 00:11:04,685


One of the best things that I've seen just


in my personal life was my nephew.



223


00:11:04,685 --> 00:11:06,586


Absolutely loved Dracarys when it came


out.



224


00:11:06,586 --> 00:11:08,868


He was about eight at the time.



225


00:11:09,088 --> 00:11:13,071


And it got to the point where when it came


on the telly when it was on Saturdays or



226


00:11:13,071 --> 00:11:18,415


whatever, he would literally run to mum's


closet, get a pair of high heels and



227


00:11:18,415 --> 00:11:20,316


around the living room while it was on.



228


00:11:20,597 --> 00:11:24,060


Which I think is the most beautiful thing


because if you think back to, you know,



229


00:11:24,060 --> 00:11:26,814


when you were young, Flynn, would boys


have been able to do that?



230


00:11:26,814 --> 00:11:31,337


Obviously, I mean, this is an audio


experience, but occasionally on my



231


00:11:31,337 --> 00:11:34,499


Facebook, there's a picture of me when I


was eight years old and Stephen Hymne was



232


00:11:34,499 --> 00:11:37,882


seeing me when I was eight years old and


my next door neighbor dressed me in her



233


00:11:37,882 --> 00:11:38,122


dress.



234


00:11:38,122 --> 00:11:41,324


Is it a balloon?



235


00:11:41,324 --> 00:11:44,646


Ray and Judy Garland pinny on and


whatever.



236


00:11:44,666 --> 00:11:47,188


It's really flock wallpaper behind me.



237


00:11:47,188 --> 00:11:48,889


It's very sort of 1979.



238


00:11:50,230 --> 00:11:51,832


That's the only one that's got me in a


trip.



239


00:11:51,832 --> 00:11:56,435


I can pitch in this gallery as a postcard.



240


00:11:56,435 --> 00:11:57,356


That sounds amazing.



241


00:11:57,356 --> 00:11:58,356


What an image.



242


00:11:58,597 --> 00:11:59,718


Amazing.



243


00:11:59,858 --> 00:12:04,621


How did the lockdown affect you and how


did you survive during this period?



244


00:12:07,998 --> 00:12:13,519


Undoubtedly, the COVID-19 pandemic posed


major challenges for performers worldwide.



245


00:12:13,839 --> 00:12:18,521


How did the lockdown affect you and how


did you survive during this period when



246


00:12:18,521 --> 00:12:19,561


going to marry?



247


00:12:20,061 --> 00:12:24,743


I was addicted to TikTok.



248


00:12:24,743 --> 00:12:26,844


I just use that as a bit of an outlet.



249


00:12:26,844 --> 00:12:28,664


I used to just do home workouts.



250


00:12:28,664 --> 00:12:30,965


That's when I kind of started dabbling


into drag as well.



251


00:12:30,965 --> 00:12:32,906


So I kind of used social media for that.



252


00:12:32,906 --> 00:12:35,708


I drank my own body weighting wine every


day.



253


00:12:35,708 --> 00:12:38,130


Just been watched so much TV.



254


00:12:38,130 --> 00:12:41,574


Yeah, I mean, for me, I just kind of, it


was the time that I was experimenting with



255


00:12:41,574 --> 00:12:41,894


drag.



256


00:12:41,894 --> 00:12:44,677


So a lot of my time in COVID was focused


on that.



257


00:12:44,677 --> 00:12:48,500


So if the pandemic didn't happen, do you


think you'd have had the opportunity to



258


00:12:48,500 --> 00:12:49,081


focus on drag?



259


00:12:49,081 --> 00:12:50,082


I don't think so.



260


00:12:50,082 --> 00:12:53,505


I honestly don't think so because I think


I was in the cruise ship career mind.



261


00:12:53,505 --> 00:12:56,688


So it was just contract after contract,


after contract, after contract.



262


00:12:56,688 --> 00:12:59,089


I don't think it would have happened.



263


00:12:59,122 --> 00:13:00,043


I've always had a love for it.



264


00:13:00,043 --> 00:13:02,665


I just don't think I've had time to solely


focus on it.



265


00:13:02,665 --> 00:13:04,066


So who knows?



266


00:13:04,066 --> 00:13:06,568


I just don't think it would have.



267


00:13:06,568 --> 00:13:07,449


Why you guys?



268


00:13:07,449 --> 00:13:08,309


Ladies.



269


00:13:10,832 --> 00:13:14,015


So for me, it was a bit of a surreal time.



270


00:13:14,015 --> 00:13:16,116


I lived above a pub at the time.



271


00:13:16,156 --> 00:13:18,738


So we were literally locked in there for


that all of lockdown.



272


00:13:18,859 --> 00:13:21,841


That was quite weird, but luckily we had a


rooftop.



273


00:13:22,242 --> 00:13:25,785


So we can literally like get a bit of


space.



274


00:13:25,785 --> 00:13:26,978


I remember once we were like,



275


00:13:26,978 --> 00:13:30,240


peeping out the windows if you're watching


TV downstairs having a roast dinner being



276


00:13:30,240 --> 00:13:32,181


like, oh my God, I'm just going to know


we're in here.



277


00:13:32,181 --> 00:13:38,225


That was really crazy.



278


00:13:38,225 --> 00:13:41,067


And I did quite a few online shows.



279


00:13:41,067 --> 00:13:44,690


I got involved with the Drag Choir that


thanked the NHS workers.



280


00:13:44,690 --> 00:13:45,450


That was really good.



281


00:13:45,450 --> 00:13:47,712


A lot of pre-recorded stuff was done.



282


00:13:47,772 --> 00:13:52,055


I had the police called on me twice whilst


doing online shows because we were allowed



283


00:13:52,055 --> 00:13:53,736


to have a smoke machine blaring.



284


00:13:53,736 --> 00:13:55,037


I don't know why, but I pressed it.



285


00:13:55,037 --> 00:13:56,197


I was a bit too...



286


00:13:56,270 --> 00:14:01,372


ego and then I opened the door, it was


like stars in your eyes coming out.



287


00:14:01,372 --> 00:14:03,093


Yeah, it was very weird.



288


00:14:03,434 --> 00:14:07,356


But it was a time to get proactive.



289


00:14:07,356 --> 00:14:10,838


Certainly, you know, if things came along,


I'd jump at it.



290


00:14:10,838 --> 00:14:12,879


Raising money online, like trying to


survive.



291


00:14:12,879 --> 00:14:13,479


It wasn't great.



292


00:14:13,479 --> 00:14:16,461


I got the self-employment grants, all of


them.



293


00:14:16,461 --> 00:14:18,222


Luckily others didn't.



294


00:14:18,222 --> 00:14:21,163


It was very, very stressful trying to even


apply for that.



295


00:14:21,163 --> 00:14:23,304


But I was very grateful that I could get


it.



296


00:14:23,685 --> 00:14:24,765


It was crazy.



297


00:14:25,398 --> 00:14:27,361


you know, we got through it and...



298


00:14:27,361 --> 00:14:27,982


Came out very quickly.



299


00:14:27,982 --> 00:14:28,903


Yes, absolutely.



300


00:14:28,903 --> 00:14:29,244


Yeah.



301


00:14:29,244 --> 00:14:36,075


I mean, I think it was a chance to


re-evaluate and just horrendous for other



302


00:14:36,075 --> 00:14:37,857


workers, let alone performers.



303


00:14:38,399 --> 00:14:40,481


It feels just about back to normal.



304


00:14:42,262 --> 00:14:45,463


Before American listeners, because we do


have some, what are self-employment



305


00:14:45,463 --> 00:14:46,424


grants?



306


00:14:46,684 --> 00:14:50,686


So self-employment grants, basically it


was like a loan that you were going to pay



307


00:14:50,686 --> 00:14:57,490


back for sub-employed performers to


survive for living costs, food costs,



308


00:14:57,490 --> 00:14:58,190


whatever.



309


00:14:58,190 --> 00:15:03,053


And I think they were basing on different


salaries that you would submit for your



310


00:15:03,053 --> 00:15:03,933


tax return.



311


00:15:03,933 --> 00:15:06,435


And that's how they were basing what they


were giving out to people.



312


00:15:06,435 --> 00:15:10,757


Well, two sides to our employment before


and during lockdown.



313


00:15:10,757 --> 00:15:11,466


So.



314


00:15:11,466 --> 00:15:16,067


since moving down here, as well as doing


bits and pieces of drag at weekends, some



315


00:15:16,067 --> 00:15:19,488


bits in Brighton and some bits out of


Brighton.



316


00:15:19,488 --> 00:15:23,589


I was also a carer through the early


liberal dementia and actually worked in a



317


00:15:23,589 --> 00:15:26,990


care facility nearby here in Brighton, New


South 6th.



318


00:15:27,170 --> 00:15:34,752


With the two main parts of UK's COVID,


shall I say, in between the two, my



319


00:15:34,752 --> 00:15:39,293


husband worked at the NHS, so he couldn't


work in his environment.



320


00:15:39,293 --> 00:15:40,566


He was a manager.



321


00:15:40,566 --> 00:15:42,466


data procurement up in London.



322


00:15:42,486 --> 00:15:48,268


So he had to work from home and I was


working in a care home and all of a sudden



323


00:15:48,268 --> 00:15:53,209


I had to stop working in a care home


because sadly my husband passed away.



324


00:15:53,229 --> 00:15:58,511


It was and still is a bit of a journey,


but what it will save for drag for me



325


00:15:58,651 --> 00:16:02,972


during the second half, you know, I've


always been quite technically minded and I



326


00:16:02,972 --> 00:16:07,073


bought a green screen and when we were


allowed to even step around and we, we



327


00:16:07,073 --> 00:16:08,173


would do these.



328


00:16:08,462 --> 00:16:12,784


Skype, but something, you know, these sort


of online chats and then I'd upload them



329


00:16:12,784 --> 00:16:18,167


on Facebook with certain tracks, you know,


Warner Chapel music and all that kind of



330


00:16:18,167 --> 00:16:18,287


thing.



331


00:16:18,287 --> 00:16:22,670


For me, what I'm coming out of it


actually, from somebody who's still coming



332


00:16:22,670 --> 00:16:26,352


out the other end, but still suffering


grief of what I've found of the drag for



333


00:16:26,352 --> 00:16:29,433


me, not a facade, but it empowers me.



334


00:16:29,433 --> 00:16:33,396


It gives me a chance to know what I do


actually, makes me feel better about



335


00:16:33,396 --> 00:16:37,417


myself and if I can entertain other


people, then all the better.



336


00:16:37,458 --> 00:16:40,620


I think also whilst doing the online


shows, a lot of people were commenting



337


00:16:40,620 --> 00:16:43,142


saying like, thank you for getting us


through, thank you for helping.



338


00:16:43,142 --> 00:16:47,106


Like it was a distraction for them just to


watch something because it got a little



339


00:16:47,106 --> 00:16:48,607


bit mundane, didn't it?



340


00:16:48,607 --> 00:16:50,389


Like just sat in them doors all the time.



341


00:16:50,389 --> 00:16:53,892


And then when they said you allowed


certain amounts of exercise, I mean...



342


00:16:53,892 --> 00:16:59,176


Let them go for a walk.



343


00:16:59,176 --> 00:17:01,257


Yes, let's jog on the spot.



344


00:17:03,682 --> 00:17:06,063


You're American listeners, obviously.



345


00:17:06,063 --> 00:17:09,764


Be very, very familiar with RuPaul's Drag


Race coming out of that.



346


00:17:09,764 --> 00:17:16,047


I mean, UK Season 1, I acted Molda Wanda's


paperwork filling in for Bag of Chicks.



347


00:17:16,047 --> 00:17:18,968


And then, no, this is an entirely true


story.



348


00:17:18,968 --> 00:17:21,029


Me and Bag go, oh, go way back.



349


00:17:21,029 --> 00:17:24,330


Not like that, but yes, we've been good


friends for a very long time.



350


00:17:24,370 --> 00:17:27,911


And then coming out of lockdown and


everything else, still having the green



351


00:17:27,911 --> 00:17:32,473


screen, I had the honor of being able to


record.



352


00:17:32,513 --> 00:17:33,214


Lovely.



353


00:17:33,214 --> 00:17:37,539


Miss Clit for season two and you got quite


far with that, didn't you?



354


00:17:37,539 --> 00:17:37,979


Yeah.



355


00:17:37,979 --> 00:17:38,500


Yes.



356


00:17:38,500 --> 00:17:39,280


Wow.



357


00:17:39,441 --> 00:17:40,682


I gave it a go.



358


00:17:40,682 --> 00:17:44,406


I'm a very trying woman.



359


00:17:50,914 --> 00:17:54,377


See, what I love about that is, we were


saying how things were quite repetitive.



360


00:17:54,726 --> 00:17:59,630


And you know, the TV we did watch, I mean,


we all completed Netflix, like it was



361


00:17:59,630 --> 00:18:01,051


gaming, I just watched everything.



362


00:18:01,051 --> 00:18:02,293


And there was no new TV being made.



363


00:18:02,293 --> 00:18:03,454


They just couldn't do it.



364


00:18:03,454 --> 00:18:06,796


But actually giving you guys that space to


then go on social media and create that



365


00:18:06,796 --> 00:18:11,720


content to bring, I mean, people like me,


basically just more of what I wanted.



366


00:18:12,862 --> 00:18:15,844


And loads of people felt like that, you


know, what we serve through the media



367


00:18:15,844 --> 00:18:17,566


generally, there was a cutoff point.



368


00:18:17,566 --> 00:18:21,009


There was a certain amount of what you can


watch, an amount of what's being made.



369


00:18:21,009 --> 00:18:21,970


But actually.



370


00:18:21,970 --> 00:18:26,493


You guys then had that space to fill the


gaps that all of us wanted, I think, which



371


00:18:26,513 --> 00:18:27,774


was a gift.



372


00:18:27,774 --> 00:18:31,197


It is quite nice because Facebook has the


memories thing, doesn't it?



373


00:18:31,197 --> 00:18:31,598


Yeah.



374


00:18:31,598 --> 00:18:35,381


So some of the videos that I did


throughout Lockdown often pop up now.



375


00:18:35,381 --> 00:18:38,904


And I'm like, gosh, like there was one


green screen thing we had.



376


00:18:38,904 --> 00:18:41,286


It was like, I was like running through a


bloody roller coaster.



377


00:18:41,286 --> 00:18:44,809


It was nuts, but it was, yeah, it's nice


to have those kind of memories to look



378


00:18:44,809 --> 00:18:45,709


back on as well.



379


00:18:45,709 --> 00:18:49,793


So the three of us here, we have a good


friend called Mrs.



380


00:18:49,793 --> 00:18:51,094


Moore, John Moore.



381


00:18:51,094 --> 00:18:53,194


He was the best man at my wedding,


ironically.



382


00:18:53,194 --> 00:18:55,275


Brother from another mother.



383


00:18:59,296 --> 00:19:02,577


Yeah, we go way back and it was his kind


of thing.



384


00:19:02,677 --> 00:19:05,798


Even though he didn't have all the tech


kind of stuff and he only had an iPhone,



385


00:19:05,798 --> 00:19:10,179


which I got hold for him and some sort of


bits and pieces, which Shally Vape,



386


00:19:10,179 --> 00:19:11,359


Brighton Queen would do.



387


00:19:11,359 --> 00:19:16,241


Basically, he would do this kimono thing


where pretty much only dressed in his



388


00:19:16,241 --> 00:19:18,521


empress new clothes and some underwear.



389


00:19:18,521 --> 00:19:19,601


He'd wear this.



390


00:19:19,890 --> 00:19:36,134


No, no, no



391


00:19:49,810 --> 00:19:52,351


If you were doing it legally, you could


actually get some money from it.



392


00:19:52,351 --> 00:19:55,053


But even if it wasn't about the money, it


was about the sanity.



393


00:19:55,053 --> 00:19:57,374


Even if you're insane to do it.



394


00:19:57,374 --> 00:20:00,556


It's quite hard as a performer when you


don't have an audience.



395


00:20:00,556 --> 00:20:02,177


Exactly, it's the worst thing I've seen.



396


00:20:02,357 --> 00:20:03,118


Yeah.



397


00:20:03,118 --> 00:20:03,878


Very two-dimensional.



398


00:20:03,878 --> 00:20:05,039


You get in your head a bit.



399


00:20:05,039 --> 00:20:06,299


Yeah.



400


00:20:06,420 --> 00:20:10,002


It's quite funny because obviously you're


playing different personalities when



401


00:20:10,002 --> 00:20:11,263


you're on stage.



402


00:20:11,263 --> 00:20:15,305


And when you're talking to a computer


screen, your other personality, talking to



403


00:20:15,305 --> 00:20:16,365


people who are...



404


00:20:16,374 --> 00:20:21,315


just watching, you can't gauge a reply,


you can't gauge a laughter.



405


00:20:21,875 --> 00:20:23,776


That energy is missing isn't it?



406


00:20:23,776 --> 00:20:27,617


I think it was nice when you saw the


reactions and people putting love hearts



407


00:20:27,617 --> 00:20:29,757


and engaging with you.



408


00:20:29,757 --> 00:20:34,399


And then you end up saying hello to


multiple people like, hello so and so.



409


00:20:34,399 --> 00:20:39,340


And then you're like, oh I should do a


song now.



410


00:20:39,340 --> 00:20:43,561


It's clear that all of you are not only


immensely talented, but also incredibly



411


00:20:43,561 --> 00:20:44,402


resilient.



412


00:20:44,402 --> 00:20:47,112


Your stories have been truly inspiring and


enlightening.



413


00:20:47,112 --> 00:20:48,857


So thank you for sharing that with us.



414


00:20:50,742 --> 00:20:53,702


What would people do to support their


local drag ads?



415


00:20:54,723 --> 00:20:59,444


I think to support local drag is to just


go see local drag.



416


00:20:59,444 --> 00:21:04,325


Obviously with the success of Drag Race,


everybody flocks to the Drag Race shows



417


00:21:04,325 --> 00:21:08,226


when these Drag Race queens are performing


and I go see them, they're great because



418


00:21:08,226 --> 00:21:09,707


they're still dragged.



419


00:21:09,707 --> 00:21:12,468


I'm intrigued to see what they can do off


of the show.



420


00:21:12,468 --> 00:21:16,869


But I think in terms of supporting local


queens is go and see local queens.



421


00:21:16,869 --> 00:21:19,629


Don't just flock to mainstream queens.



422


00:21:19,734 --> 00:21:24,816


This city is thankfully so rich with the


amount of drag that we have here.



423


00:21:24,916 --> 00:21:29,719


And you can go any night of the week here


in Brighton and to any of the bars and



424


00:21:29,719 --> 00:21:33,021


you'll see a drag show, whether it's a


bingo, whether it's a quiz, whether it's a



425


00:21:33,021 --> 00:21:34,401


full on cabaret.



426


00:21:34,561 --> 00:21:38,243


There's so much out there that you don't


need to just focus on the mainstream.



427


00:21:38,243 --> 00:21:41,725


Like, and I actually think this is


probably controversial, but I actually



428


00:21:41,725 --> 00:21:42,786


think it's better.



429


00:21:42,846 --> 00:21:47,348


I think a lot of the times just seeing


local drag is just better and seeing



430


00:21:47,348 --> 00:21:49,469


somebody that you've never heard of.



431


00:21:49,746 --> 00:21:52,287


you may never see again or you'll follow


them or whatever.



432


00:21:52,287 --> 00:21:53,708


I think that is the best thing.



433


00:21:53,708 --> 00:21:56,889


Like that is just, that to me is what true


British drag is.



434


00:21:56,889 --> 00:22:00,331


Like going to these pubs, going to these


nightclubs, seeing that, that to me is



435


00:22:00,331 --> 00:22:01,052


British drag.



436


00:22:01,052 --> 00:22:02,833


And, you know, I utilize social media.



437


00:22:02,833 --> 00:22:06,374


I know a lot of us do follow them on


social media, see what they're doing, buy



438


00:22:06,374 --> 00:22:10,857


merchandise, you know, if they stream a


song or release a song, go and, you know,



439


00:22:10,857 --> 00:22:12,337


support in that way.



440


00:22:12,338 --> 00:22:15,519


But I think the main thing is to just go


and see them.



441


00:22:15,639 --> 00:22:16,260


And talk to us.



442


00:22:16,260 --> 00:22:17,480


We all talk after shows.



443


00:22:17,480 --> 00:22:18,201


Yeah.



444


00:22:18,201 --> 00:22:19,901


We all talk and we're not.



445


00:22:19,926 --> 00:22:23,327


I don't think anyone here in the city


particularly is a diva that's done and



446


00:22:23,327 --> 00:22:23,788


that's it.



447


00:22:23,788 --> 00:22:24,628


And then they walk off.



448


00:22:24,628 --> 00:22:26,249


We probably are all pissed with you after.



449


00:22:26,249 --> 00:22:30,191


We're about to be on it.



450


00:22:30,191 --> 00:22:31,652


No, and I think that's another thing.



451


00:22:31,652 --> 00:22:33,073


Don't be afraid to talk to us.



452


00:22:33,073 --> 00:22:34,854


Like we're not monsters.



453


00:22:34,854 --> 00:22:37,835


Like come in with human beings and talk to


us.



454


00:22:37,835 --> 00:22:39,196


We're exactly the same as you.



455


00:22:39,196 --> 00:22:43,158


Like, I think it is, like you say, just


encouraging everyone and like going to see



456


00:22:43,158 --> 00:22:43,678


people.



457


00:22:43,678 --> 00:22:49,161


And obviously the venues that we perform


in needs an audience.



458


00:22:49,161 --> 00:22:49,901


So.



459


00:22:50,322 --> 00:22:55,103


use it or lose it because once venues


start going and artists can't perform,



460


00:22:56,344 --> 00:22:56,744


what can we do?



461


00:22:56,744 --> 00:22:58,285


Yeah, we're in a central cog in the wheel.



462


00:22:58,285 --> 00:22:59,586


Yeah, yeah.



463


00:22:59,586 --> 00:23:01,066


A cog in the wheel, a cog in the machine.



464


00:23:01,066 --> 00:23:03,407


Yeah, yeah.



465


00:23:03,407 --> 00:23:09,190


And entertainment, whether it be drag,


singers, bands, does bring in crowds.



466


00:23:09,190 --> 00:23:09,290


Yeah.



467


00:23:09,290 --> 00:23:12,891


If people are spending, it helps the venue


out and it helps the artists out.



468


00:23:12,891 --> 00:23:14,732


And we do it so well, don't we, as a


nation?



469


00:23:14,732 --> 00:23:17,653


I always think that whenever I go and see


something live, not something that's, you



470


00:23:17,653 --> 00:23:18,110


know,



471


00:23:18,110 --> 00:23:21,633


necessarily big stadium vibe, but whenever


I go to something that's fairly local or



472


00:23:21,633 --> 00:23:22,693


just at a theatre, I'm like, we're so


good.



473


00:23:22,693 --> 00:23:26,617


Yeah, we're so good at it.



474


00:23:26,617 --> 00:23:28,498


And the diversity of it as well.



475


00:23:28,498 --> 00:23:30,240


Oh yeah, absolutely.



476


00:23:30,240 --> 00:23:33,042


I mean, I love a festival vibe, but


there's nothing better than going to a



477


00:23:33,042 --> 00:23:39,247


very intimate space to see a show that it


feels like you have more of a connection.



478


00:23:39,247 --> 00:23:43,891


It's nice, it's really nice, you know, and


you feel something and that's great.



479


00:23:43,891 --> 00:23:46,774


I've known sign language for about 20


years.



480


00:23:46,774 --> 00:23:53,395


And I recently had the opportunity through


just signing a number in a drag show a few



481


00:23:53,395 --> 00:23:54,796


years ago, pre-COVID.



482


00:23:54,796 --> 00:23:57,577


And then somebody said, Oh, would you do


Worthing Pride?



483


00:23:57,577 --> 00:23:58,737


Would you do Seaford Pride?



484


00:23:58,737 --> 00:24:00,137


Would you do Southampton Pride?



485


00:24:00,137 --> 00:24:01,098


Great young.



486


00:24:01,098 --> 00:24:03,018


So now I'm actually a signer.



487


00:24:03,018 --> 00:24:04,979


I do it in drag most of the time.



488


00:24:04,979 --> 00:24:06,239


It's so casual.



489


00:24:06,239 --> 00:24:08,140


And I love doing it.



490


00:24:08,140 --> 00:24:14,341


And that was actually one of the things


that helped me, should we say, mentally.



491


00:24:15,586 --> 00:24:18,087


disability inclusivity basis.



492


00:24:18,087 --> 00:24:22,410


I'm epileptic and for me to, I'm stood on


the stage and it wouldn't, if you've got a



493


00:24:22,410 --> 00:24:26,914


huge field of people wouldn't matter


whether it was three people or 300 that



494


00:24:26,914 --> 00:24:30,996


were deaf and ambitio or hard of hearing


in, you know, in that field.



495


00:24:30,996 --> 00:24:34,759


I was at Southampton once and I was doing


Bad to the Devil You Know by Kylie and



496


00:24:34,759 --> 00:24:35,720


sign language.



497


00:24:35,720 --> 00:24:40,143


And then I spot it because of their body


language, three deaf gay chaps, the corner



498


00:24:40,143 --> 00:24:42,925


and they're going, I'm illustrating with


my hands.



499


00:24:44,174 --> 00:24:47,636


thank you for enjoying yourselves and


British Sign Language to me.



500


00:24:47,677 --> 00:24:52,241


Shortly after bereavement I suffered, I


was just, I had to go stage-fighting this



501


00:24:52,241 --> 00:24:53,903


kind of thing, pulling my own self.



502


00:24:53,903 --> 00:24:58,046


And if something like, the gift that I've


got, whether it be doing Dragon singing



503


00:24:58,046 --> 00:25:02,070


songs or whether doing Dragon signing to


them, if something I can do gives



504


00:25:02,070 --> 00:25:06,934


something back, they'll appreciate what we


all do at home.



505


00:25:07,455 --> 00:25:09,197


It's fulfilling.



506


00:25:09,197 --> 00:25:10,537


It really is fulfilling.



507


00:25:12,182 --> 00:25:13,562


One more question for you, though.



508


00:25:13,562 --> 00:25:15,082


Do you ever embellish?



509


00:25:15,122 --> 00:25:17,583


Do you directly translate or do you add a


few extras?



510


00:25:17,583 --> 00:25:22,124


No, depending on context, I might have to


find a keyword and build around.



511


00:25:22,124 --> 00:25:27,206


You know, I was going to say find context,


but no, I mean, it's only a family event.



512


00:25:29,287 --> 00:25:34,428


There are certain V words and C words and


other words that we couldn't possibly



513


00:25:34,428 --> 00:25:36,609


mention on air, let alone in a field.



514


00:25:40,962 --> 00:25:42,943


Thank you for sharing your experiences.



515


00:25:42,943 --> 00:25:46,706


It's really important, but we do know that


there are people listening that might



516


00:25:46,706 --> 00:25:51,449


still construct me, might be going through


some difficult situation themselves.



517


00:25:51,449 --> 00:25:54,031


What advice would you give to them?



518


00:25:54,031 --> 00:25:56,673


I want to start with you, my right wing


and you being Mary.



519


00:25:56,673 --> 00:25:59,976


Find something joyful every single day.



520


00:25:59,976 --> 00:26:05,540


Find joy in something, whether it's, I


don't know, cutting your nails.



521


00:26:05,540 --> 00:26:07,618


I don't care whether it's like, I don't


know.



522


00:26:07,618 --> 00:26:12,019


having a shower, find the joy in at least


one thing you do every day.



523


00:26:12,019 --> 00:26:17,720


And if you start to build on that as like


a daily manifestation, it will translate



524


00:26:17,720 --> 00:26:19,161


to a free day life.



525


00:26:19,161 --> 00:26:25,142


So find something that makes you happy,


that brings you joy, something you love.



526


00:26:25,303 --> 00:26:27,643


Whether, you know, you're the type of


person that being charitable makes you



527


00:26:27,643 --> 00:26:31,344


happy and you want to give back to


something or someone, whatever it is, it



528


00:26:31,344 --> 00:26:35,745


can be so mind you, just find joy every


single day and



529


00:26:35,902 --> 00:26:38,642


it will manifest into such a bigger thing.



530


00:26:38,682 --> 00:26:41,503


It's something about positivity, I think.



531


00:26:41,503 --> 00:26:45,324


No matter what hardships you face at the


end of the day, you find something you're



532


00:26:45,324 --> 00:26:50,646


good at or find something that interests


you, take it, harness it, and just hold



533


00:26:50,646 --> 00:26:56,167


onto it and feed off of it, but to know


this can make me feel better about myself.



534


00:26:56,267 --> 00:26:59,008


And that's what I do every day.



535


00:26:59,008 --> 00:27:01,809


I'd always say never feel like you're


alone.



536


00:27:01,809 --> 00:27:04,169


Always make sure you have good people


around you.



537


00:27:04,478 --> 00:27:08,860


always communicate where you can, always


remember that things always will get



538


00:27:08,860 --> 00:27:09,740


better.



539


00:27:10,021 --> 00:27:14,363


If you have a positive outlook, it's like


when you talk and you smile, you have that



540


00:27:14,383 --> 00:27:16,204


automatic response.



541


00:27:16,364 --> 00:27:20,946


If you just have that positive attitude,


things will always happen for the good.



542


00:27:21,267 --> 00:27:24,108


That's my philosophy and I always stick by


it.



543


00:27:24,108 --> 00:27:25,569


Positiveity is key.



544


00:27:25,569 --> 00:27:26,770


Negativeity never helps.



545


00:27:26,770 --> 00:27:32,853


I know, and as much as sometimes some


people, they can find it hard to find



546


00:27:32,853 --> 00:27:34,026


positivity.



547


00:27:34,026 --> 00:27:39,370


look around, look around you, you know,


find inspiration at the end of the day.



548


00:27:39,370 --> 00:27:40,851


Life's too short.



549


00:27:40,851 --> 00:27:42,272


And we all have off days.



550


00:27:42,272 --> 00:27:45,115


That's just human nature, but just always.



551


00:27:45,115 --> 00:27:46,296


Don't make it all the time.



552


00:27:46,296 --> 00:27:53,862


There's one popular drag queen says, can I


get an amen up in here?



553


00:27:53,862 --> 00:27:56,124


Your passion for the art of drag is


infectious.



554


00:27:56,124 --> 00:27:58,566


So thank you all for sharing your


experiences and for adding a touch of



555


00:27:58,566 --> 00:28:01,128


glamour and glitter to our show today.



556


00:28:01,128 --> 00:28:02,589


We did, we did have someone in drag


earlier.



557


00:28:02,589 --> 00:28:03,809


That's why we're saying.



558


00:28:07,063 --> 00:28:08,644


Mary was looking way fabulous.



559


00:28:08,644 --> 00:28:10,125


Yes, I am now.



560


00:28:10,125 --> 00:28:11,606


Putting a sword to shame.



561


00:28:11,606 --> 00:28:12,186


Still fabulous.



562


00:28:12,186 --> 00:28:17,429


And there's Ninja and I like Death Becomes


her.



563


00:28:19,390 --> 00:28:23,712


Thank you, Flynn, Harry and Stephen for


joining us on this episode.



564


00:28:23,853 --> 00:28:28,255


And a huge thank you to our listeners for


tuning in to Talking Hospitality with two



565


00:28:28,255 --> 00:28:29,696


T's and a catelle.



566


00:28:29,776 --> 00:28:33,158


We hope you enjoyed this journey into the


world of drag as much as we did.



567


00:28:33,314 --> 00:28:37,883


Don't forget to subscribe on your


favourite podcast platform and leave a



568


00:28:37,883 --> 00:28:42,733


review if it's nice and join us next time


as we continue to explore all things



569


00:28:42,733 --> 00:28:43,675


hospitality.



570


00:28:43,675 --> 00:28:45,037


Stay fabulous.





Mary O'Kart Profile Photo

Mary O'Kart

Drag Artist

Mary O’Kart is a drag artist and powerhouse on the UK cabaret scene. She has performed at multiple prides around the country, has performed overseas in Bulgaria, has worked with brands such as ASOS and was a semi-finalist in the 2023 nationwide competition “Drag Idol”.

Stephanie Von Clitz Profile Photo

Stephanie Von Clitz

Drag Artiste

Stephanie Von Clitz known as the Dorset tart with a heart has been performing around the country and at many Pride events for the last 13 years, originally starting in London where she made her name she’s now living in Brighton. Stephanie is also an ambassador of the charity Cancer is a Drag.

As well as consistent work within the cabaret scene she has also performed in pantos, musicals and a few TV shows and looks forward to what the future holds for her career moving forward. Her most recent ahievement to date is being a co organizer of the Marine Tavern stage street party stage for brighton Pride which she will be entering her 9th year in 2024 doing.

Flynn Burge Profile Photo

Flynn Burge

Guest

Have been a drag queen for over 15 years. Previously I was a DJ in my twenties. I also work as a BSL (sign language) interpreter around the country.