In this episode of Talking Hospitality, we delve into the fascinating world of drag and what lessons the hospitality industry can learn from them.
Summary
The Covid-19 pandemic had a devastating impact on the drag queen community, with performers losing their primary source of income.
Many drag queens turned to digital platforms to perform for their fans, but it wasn't always enough to make ends meet.
As the pandemic continued, drag queens found new ways to adapt, such as starting their own businesses or hosting outdoor events. The drag scene has evolved over the years, especially with the influence of RuPaul's Drag Race.
During lockdown, drag queens used social media to create content and connect with their audience. Advice for those going through difficult times includes finding joy every day, surrounding yourself with good people, and maintaining a positive attitude.
Whilst lockdown seems a distant memory, how are Drag Performers managing now?
To help answer this question hosts Timothy R Andrews, Tracey Rashid, and Sarah Kettel explore the resilience and creativity of drag artists and the challenges they face.
They are joined by the effervescent drag performers Mary O'Kart, Stephanie Von Clitz, and Linda Bacardi in one of our most of the wall episodes yet.
Takeaways
Titles
Sound Bites
Chapters
00:00 The Impact of Covid-19 on the Drag Queen Community
02:05 Adapting and Finding New Ways to Perform
05:43 The Evolution of the Drag Scene
08:06 Using Social Media to Connect with Fans
11:56 Surviving and Continuing to Perform During Lockdown
20:50 Supporting local drag artists
25:12 The power of drag in bringing joy and inclusivity
26:07 Advice for those facing difficult situations
The COVID-19 pandemic has had a
devastating impact on the drag queen
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community.
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With bars and clubs closed for months on
end, performers lost their primary source
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of income.
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Many were forced to find new jobs or rely
on government assistance.
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In the early days of the pandemic, some
drag queens turned to digital platforms to
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perform for their fans.
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They hosted virtual drag shows, sold
merchandise online and even streamed their
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lives on social media.
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However, these efforts were not always
enough to make ends meet.
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And as the pandemic dragged on, many drag
queens found new ways to adapt.
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Some started their own businesses, such as
makeup tutorials or drag weave fitness
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classes, others turned to teaching or
writing.
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And still others found new ways to
perform, such as hosting drag branches or
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performing at outdoor events.
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As things have reopened, we want to find
out what drag queens are doing now.
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Have things returned to normal or have
things changed?
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you
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Welcome to a very special edition of
Talking Hospitality with two T's and a
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catel.
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I'm Timothy R.
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Andrews and I'm delighted to share that we
have a full house today.
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I'm joined by my wonderful co-hosts, the
delightful Tracy Rashid and the fabulous
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Sarah Catel.
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We have quite a spectacle lined up for
today.
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A round table discussion with three
immensely talented and vivacious drag
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queens.
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From Flynn Burge, aka Linda Bacardi, Harry
Casella,
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aka Mario Kart and Steven Maugham aka
Stephanie Von Keats.
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We're here courtesy of the Brighton Box
Gallery who are sponsoring today's event.
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The Brighton Box is an LGBTQ plus owned
award winning art gallery in the heart of
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the lanes, Brighton.
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Whatever your preferred style of art, the
Brighton Box Gallery is able to offer a
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wide range of unique and local artists at
thebrightonbox.com.
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Excited to have you all here with us
today?
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So let's start from the very beginning.
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So what we want to know is what inspired
you to get into drag or let's use drag as
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a verb here.
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Why do you drag?
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Let's start with Flynn.
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I was inspired to be honest.
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I've been doing drag for about 50 years.
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I started with the likes of Lily Savage
and whatever you started at the Black Cap
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in Camden.
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And I used to do websites with the likes
of Sandra and Titi Lacam, Boy George
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Experience, some of which are still on the
scene now.
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and being quite technical and whatever
you.
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And then one day I got asked to join in on
the drug amateur dramatics group called
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the Drama Queens.
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And that inspired me to take it up full
time.
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And then I turned from just somebody enjoy
putting makeup on, being a man in a dress.
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It was an evolution and then I became a
drug week.
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And 15 years later, she's still doing it.
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Amazing.
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Good way back then.
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Oh yeah, yeah.
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Here goes my name.
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How about you Harry or Shagami Mary?
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You can call me everyone darling.
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Someone's calling me.
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So I started doing a lockdown.
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Before lockdown happened, I was a dancer
on cruise ships for like five years.
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And then the pandemic put a halt to that
because nothing could happen.
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So I basically came home and was like, I'm
over dancing on cruise ships.
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I wanted to try something else.
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And I've always been a huge fan of drag
and thought, well, I'll just give it a go.
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Screw it.
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Let's try it.
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So I spent most of lockdown watching
tutorials.
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learning about drag, going to see these
two wonderful people here.
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I saw many shows, you too.
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I believe we worked together.
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Yes, we have.
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Yeah, we have.
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Watching and learning from what the queens
are doing on the scene and kind of molding
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myself and, you know, taking bits and
pieces from everywhere, like a jigsaw and
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kind of figuring out what I wanted to do
and just taking inspiration from
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everywhere and I do it because not to like
keep it on brand, but you know, it's Super
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Mario takes a magic mushroom or like, he
gets big.
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That's how I feel.
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When I do drag, like it's like I've taken
like that super mushroom or that superstar
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and you're just living your best life.
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So I do it because nothing compares to
that feeling when you're on stage and
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drag, like nothing compares to it.
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So that's why I do it and how I got into
it.
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And Stephanie.
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So for me, I started 12 years ago this
year.
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I was mentored by a drag queen called Bet
Rinse.
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And I did a guest spots at halfway to
heaven every Tuesday.
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My first residency was at the Adbal Duncan
in Soho.
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Mitchie have gone from there.
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Then I moved to Brighton, did a guest spot
at the Queens arms with Cosmic.
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And it all kind of evolved from that
point.
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And yeah, I mean, it's an honor to give
back to the scene as well, because what we
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do is we have an open mic night at the
Marine Tavern every Sunday, which
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encourages new artists to come and have a
go, just do it and.
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If it works, it works.
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If it doesn't just keep on going.
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And for me, I think drag is obviously a
complete art form in itself.
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The message that you can leave a crowd
with is always very powerful because you
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should always utilize your own voice and
carry that forward.
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Thanks for bringing your voices to our
show.
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In case some of our listeners, and they
might, because we know some of our
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listeners, don't have a clue what drag is.
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Here is a very brief history.
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Drag actually started as a necessity
centuries ago when plays needed female
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characters, but they were played by men.
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God forbid women should be allowed to
perform for a liling in the 17th century.
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In fact, it's thought to be called drag
because of the long dresses worn by the
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actors and their dresses dragged on the
ground.
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The times have changed and thank goodness
that this is now an art form, not female
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impersonation.
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And it's a whole lot more than that.
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And it's adored now in the mainstream and
there's a staple of the entertainment
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offering within hospitality venues across
the UK.
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So we've talked about history, but what is
drag for you?
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And I'm going to start with Stephanie.
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So drag for me, I touched on it briefly
earlier on, like Mary said, as well.
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It's very electric, that feeling when you
have on stage, if you know that you have a
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room he was engaging with you, there's no
better feeling.
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I think one of my
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favorite moments actually is when it comes
to I say festivals, but pride, because
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it's the message behind everything.
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And, you know, again, you have to push
that message to everyone and I'm not
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pushing it in forcing it upon someone.
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It's giant.
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Yes.
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And it's, and it's just the respect behind
everything and making sure everyone's
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included.
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I can't see myself doing anything else
now.
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It's great.
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I mean, 12 years in, I'll be like 80s, you
know, I'll last that long, but you know,
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who knows?
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A change now, isn't it?
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Well, you know, you know, you know.
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And no offence, Linda.
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Wait, you know.
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Says the 50 year old wild card in the
room.
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What are you, Harry?
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I'm Mary.
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Ethan's fine, darling.
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I think drag for me is just expression.
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And whether that's expression of gender,
whether that's expression of arts, whether
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that's expression of creativity, to me, I
don't think drag has one definition.
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I think it's evolved.
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so exponentially now that there isn't, you
can't define what it actually is.
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I know obviously you touched on what
you're saying about what it used to mean
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or in theory used to mean back then, but I
just think like, to me it is just
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expression and it's whether, whatever that
encapsulates, whatever you want that to
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mean in your own drag, that to me is drag.
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You know, you can get glamorous queens,
their whole thing is pageant style of
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drag, you can get gender non-conforming
drag, you can get...
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To me, everything is drag really.
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Like, I know not to quote RuPaul, but all
born naked and the rest is drag.
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That to me actually really resonates
because everything is like, everything is
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just, we put on clothing and we fit, you
know, you express yourself in what you're
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wearing now.
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Every one of us is expressing something.
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So to me that is drag.
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Yeah, it's just expression of everything.
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Is that famous saying all drag is valid?
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Correct.
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I agree.
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And I love that word expression as well.
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because everyone can express themselves.
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Exactly.
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There's no right or wrong.
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Exactly.
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It's just how you express yourself.
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And drag is just like in the traditional
sense of it, it's just exaggerated
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expression.
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But it is an art form of 12.
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Absolutely.
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An art form of, and it's having, you know,
it's a form of expression.
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Yeah.
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An individual.
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So Linda, you've done this for 15 years,
Slemmon, you've done this for 12.
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Have you seen the drag scene change over
the last decade or so?
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Definitely evolved.
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definitely changed for the better, I
think, because we started before RuPaul's
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Drag Race came along.
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And now it's encouraged a lot of people,
because it's been in the mainstream a lot
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more, to do it.
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And I think that can only be a positive
thing.
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To have the courage to even get on a stage
and to be inspired or influenced by other
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people, certainly now.
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And years ago, there were matriarchs who
paved the way, and that should never be
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forgotten either.
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So it's different times, but again, there
are queens who have done it for years who
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will always help newer artists like myself
and others, give it back, help and
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encourage because if you don't, it'll go.
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Yeah.
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I mean for myself, I'm a child of the 70s
and I was brought up watching the likes of
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the two Ronnies and Littlen and Large and
Les Dawson, Larry Grayson.
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Some of them were quite bad gay
stereotypes because of the climate.
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the legal climate there was then, but
there was also a lot, you know, so Kenneth
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Williams, there was also a lot of, uh,
just circulation and, uh, you know,
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exaggeration, pomp and ceremony where I
got my inspirations from was watching all
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that sort of laughter, variety,
expression.
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And then that took me on a journey when I
was a DJ in my twenties and in my youth.
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And then that went on to me in my thirties
learning about drag, you know, I'm now 50,
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where I started and I look at the pardon
if this sounds condescending, it's not
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meant to an end.
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I see the new age of drag now.
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There's an old school, there's a new
school, there's a new school, there's an
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old school.
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There might be those queens from an older
generation such as myself, some more
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established than others, that will
criticize the young style of drag.
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All the new schools, shall we say.
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But I know that it's an evolution.
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Love or hate.
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RuPaul's Drag Race, but it inspires
people.
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And as long as somebody takes something
from it and makes it their own, if you
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copy it, you copy it and just put a
lipstick on a mime to a Whitney Houston
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song and think, drag queen, that's not my
thing.
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But if you take something from it, make it
your own and you're inspired from it and
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then you perform and you can entertain.
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I'm all for that.
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That's the art and the creativity.
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Really incredible, isn't it?
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And I think the normalising of the
acceptance as well, I think.
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One of the best things that I've seen just
in my personal life was my nephew.
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Absolutely loved Dracarys when it came
out.
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00:11:06,586 --> 00:11:08,868
He was about eight at the time.
225
00:11:09,088 --> 00:11:13,071
And it got to the point where when it came
on the telly when it was on Saturdays or
226
00:11:13,071 --> 00:11:18,415
whatever, he would literally run to mum's
closet, get a pair of high heels and
227
00:11:18,415 --> 00:11:20,316
around the living room while it was on.
228
00:11:20,597 --> 00:11:24,060
Which I think is the most beautiful thing
because if you think back to, you know,
229
00:11:24,060 --> 00:11:26,814
when you were young, Flynn, would boys
have been able to do that?
230
00:11:26,814 --> 00:11:31,337
Obviously, I mean, this is an audio
experience, but occasionally on my
231
00:11:31,337 --> 00:11:34,499
Facebook, there's a picture of me when I
was eight years old and Stephen Hymne was
232
00:11:34,499 --> 00:11:37,882
seeing me when I was eight years old and
my next door neighbor dressed me in her
233
00:11:37,882 --> 00:11:38,122
dress.
234
00:11:38,122 --> 00:11:41,324
Is it a balloon?
235
00:11:41,324 --> 00:11:44,646
Ray and Judy Garland pinny on and
whatever.
236
00:11:44,666 --> 00:11:47,188
It's really flock wallpaper behind me.
237
00:11:47,188 --> 00:11:48,889
It's very sort of 1979.
238
00:11:50,230 --> 00:11:51,832
That's the only one that's got me in a
trip.
239
00:11:51,832 --> 00:11:56,435
I can pitch in this gallery as a postcard.
240
00:11:56,435 --> 00:11:57,356
That sounds amazing.
241
00:11:57,356 --> 00:11:58,356
What an image.
242
00:11:58,597 --> 00:11:59,718
Amazing.
243
00:11:59,858 --> 00:12:04,621
How did the lockdown affect you and how
did you survive during this period?
244
00:12:07,998 --> 00:12:13,519
Undoubtedly, the COVID-19 pandemic posed
major challenges for performers worldwide.
245
00:12:13,839 --> 00:12:18,521
How did the lockdown affect you and how
did you survive during this period when
246
00:12:18,521 --> 00:12:19,561
going to marry?
247
00:12:20,061 --> 00:12:24,743
I was addicted to TikTok.
248
00:12:24,743 --> 00:12:26,844
I just use that as a bit of an outlet.
249
00:12:26,844 --> 00:12:28,664
I used to just do home workouts.
250
00:12:28,664 --> 00:12:30,965
That's when I kind of started dabbling
into drag as well.
251
00:12:30,965 --> 00:12:32,906
So I kind of used social media for that.
252
00:12:32,906 --> 00:12:35,708
I drank my own body weighting wine every
day.
253
00:12:35,708 --> 00:12:38,130
Just been watched so much TV.
254
00:12:38,130 --> 00:12:41,574
Yeah, I mean, for me, I just kind of, it
was the time that I was experimenting with
255
00:12:41,574 --> 00:12:41,894
drag.
256
00:12:41,894 --> 00:12:44,677
So a lot of my time in COVID was focused
on that.
257
00:12:44,677 --> 00:12:48,500
So if the pandemic didn't happen, do you
think you'd have had the opportunity to
258
00:12:48,500 --> 00:12:49,081
focus on drag?
259
00:12:49,081 --> 00:12:50,082
I don't think so.
260
00:12:50,082 --> 00:12:53,505
I honestly don't think so because I think
I was in the cruise ship career mind.
261
00:12:53,505 --> 00:12:56,688
So it was just contract after contract,
after contract, after contract.
262
00:12:56,688 --> 00:12:59,089
I don't think it would have happened.
263
00:12:59,122 --> 00:13:00,043
I've always had a love for it.
264
00:13:00,043 --> 00:13:02,665
I just don't think I've had time to solely
focus on it.
265
00:13:02,665 --> 00:13:04,066
So who knows?
266
00:13:04,066 --> 00:13:06,568
I just don't think it would have.
267
00:13:06,568 --> 00:13:07,449
Why you guys?
268
00:13:07,449 --> 00:13:08,309
Ladies.
269
00:13:10,832 --> 00:13:14,015
So for me, it was a bit of a surreal time.
270
00:13:14,015 --> 00:13:16,116
I lived above a pub at the time.
271
00:13:16,156 --> 00:13:18,738
So we were literally locked in there for
that all of lockdown.
272
00:13:18,859 --> 00:13:21,841
That was quite weird, but luckily we had a
rooftop.
273
00:13:22,242 --> 00:13:25,785
So we can literally like get a bit of
space.
274
00:13:25,785 --> 00:13:26,978
I remember once we were like,
275
00:13:26,978 --> 00:13:30,240
peeping out the windows if you're watching
TV downstairs having a roast dinner being
276
00:13:30,240 --> 00:13:32,181
like, oh my God, I'm just going to know
we're in here.
277
00:13:32,181 --> 00:13:38,225
That was really crazy.
278
00:13:38,225 --> 00:13:41,067
And I did quite a few online shows.
279
00:13:41,067 --> 00:13:44,690
I got involved with the Drag Choir that
thanked the NHS workers.
280
00:13:44,690 --> 00:13:45,450
That was really good.
281
00:13:45,450 --> 00:13:47,712
A lot of pre-recorded stuff was done.
282
00:13:47,772 --> 00:13:52,055
I had the police called on me twice whilst
doing online shows because we were allowed
283
00:13:52,055 --> 00:13:53,736
to have a smoke machine blaring.
284
00:13:53,736 --> 00:13:55,037
I don't know why, but I pressed it.
285
00:13:55,037 --> 00:13:56,197
I was a bit too...
286
00:13:56,270 --> 00:14:01,372
ego and then I opened the door, it was
like stars in your eyes coming out.
287
00:14:01,372 --> 00:14:03,093
Yeah, it was very weird.
288
00:14:03,434 --> 00:14:07,356
But it was a time to get proactive.
289
00:14:07,356 --> 00:14:10,838
Certainly, you know, if things came along,
I'd jump at it.
290
00:14:10,838 --> 00:14:12,879
Raising money online, like trying to
survive.
291
00:14:12,879 --> 00:14:13,479
It wasn't great.
292
00:14:13,479 --> 00:14:16,461
I got the self-employment grants, all of
them.
293
00:14:16,461 --> 00:14:18,222
Luckily others didn't.
294
00:14:18,222 --> 00:14:21,163
It was very, very stressful trying to even
apply for that.
295
00:14:21,163 --> 00:14:23,304
But I was very grateful that I could get
it.
296
00:14:23,685 --> 00:14:24,765
It was crazy.
297
00:14:25,398 --> 00:14:27,361
you know, we got through it and...
298
00:14:27,361 --> 00:14:27,982
Came out very quickly.
299
00:14:27,982 --> 00:14:28,903
Yes, absolutely.
300
00:14:28,903 --> 00:14:29,244
Yeah.
301
00:14:29,244 --> 00:14:36,075
I mean, I think it was a chance to
re-evaluate and just horrendous for other
302
00:14:36,075 --> 00:14:37,857
workers, let alone performers.
303
00:14:38,399 --> 00:14:40,481
It feels just about back to normal.
304
00:14:42,262 --> 00:14:45,463
Before American listeners, because we do
have some, what are self-employment
305
00:14:45,463 --> 00:14:46,424
grants?
306
00:14:46,684 --> 00:14:50,686
So self-employment grants, basically it
was like a loan that you were going to pay
307
00:14:50,686 --> 00:14:57,490
back for sub-employed performers to
survive for living costs, food costs,
308
00:14:57,490 --> 00:14:58,190
whatever.
309
00:14:58,190 --> 00:15:03,053
And I think they were basing on different
salaries that you would submit for your
310
00:15:03,053 --> 00:15:03,933
tax return.
311
00:15:03,933 --> 00:15:06,435
And that's how they were basing what they
were giving out to people.
312
00:15:06,435 --> 00:15:10,757
Well, two sides to our employment before
and during lockdown.
313
00:15:10,757 --> 00:15:11,466
So.
314
00:15:11,466 --> 00:15:16,067
since moving down here, as well as doing
bits and pieces of drag at weekends, some
315
00:15:16,067 --> 00:15:19,488
bits in Brighton and some bits out of
Brighton.
316
00:15:19,488 --> 00:15:23,589
I was also a carer through the early
liberal dementia and actually worked in a
317
00:15:23,589 --> 00:15:26,990
care facility nearby here in Brighton, New
South 6th.
318
00:15:27,170 --> 00:15:34,752
With the two main parts of UK's COVID,
shall I say, in between the two, my
319
00:15:34,752 --> 00:15:39,293
husband worked at the NHS, so he couldn't
work in his environment.
320
00:15:39,293 --> 00:15:40,566
He was a manager.
321
00:15:40,566 --> 00:15:42,466
data procurement up in London.
322
00:15:42,486 --> 00:15:48,268
So he had to work from home and I was
working in a care home and all of a sudden
323
00:15:48,268 --> 00:15:53,209
I had to stop working in a care home
because sadly my husband passed away.
324
00:15:53,229 --> 00:15:58,511
It was and still is a bit of a journey,
but what it will save for drag for me
325
00:15:58,651 --> 00:16:02,972
during the second half, you know, I've
always been quite technically minded and I
326
00:16:02,972 --> 00:16:07,073
bought a green screen and when we were
allowed to even step around and we, we
327
00:16:07,073 --> 00:16:08,173
would do these.
328
00:16:08,462 --> 00:16:12,784
Skype, but something, you know, these sort
of online chats and then I'd upload them
329
00:16:12,784 --> 00:16:18,167
on Facebook with certain tracks, you know,
Warner Chapel music and all that kind of
330
00:16:18,167 --> 00:16:18,287
thing.
331
00:16:18,287 --> 00:16:22,670
For me, what I'm coming out of it
actually, from somebody who's still coming
332
00:16:22,670 --> 00:16:26,352
out the other end, but still suffering
grief of what I've found of the drag for
333
00:16:26,352 --> 00:16:29,433
me, not a facade, but it empowers me.
334
00:16:29,433 --> 00:16:33,396
It gives me a chance to know what I do
actually, makes me feel better about
335
00:16:33,396 --> 00:16:37,417
myself and if I can entertain other
people, then all the better.
336
00:16:37,458 --> 00:16:40,620
I think also whilst doing the online
shows, a lot of people were commenting
337
00:16:40,620 --> 00:16:43,142
saying like, thank you for getting us
through, thank you for helping.
338
00:16:43,142 --> 00:16:47,106
Like it was a distraction for them just to
watch something because it got a little
339
00:16:47,106 --> 00:16:48,607
bit mundane, didn't it?
340
00:16:48,607 --> 00:16:50,389
Like just sat in them doors all the time.
341
00:16:50,389 --> 00:16:53,892
And then when they said you allowed
certain amounts of exercise, I mean...
342
00:16:53,892 --> 00:16:59,176
Let them go for a walk.
343
00:16:59,176 --> 00:17:01,257
Yes, let's jog on the spot.
344
00:17:03,682 --> 00:17:06,063
You're American listeners, obviously.
345
00:17:06,063 --> 00:17:09,764
Be very, very familiar with RuPaul's Drag
Race coming out of that.
346
00:17:09,764 --> 00:17:16,047
I mean, UK Season 1, I acted Molda Wanda's
paperwork filling in for Bag of Chicks.
347
00:17:16,047 --> 00:17:18,968
And then, no, this is an entirely true
story.
348
00:17:18,968 --> 00:17:21,029
Me and Bag go, oh, go way back.
349
00:17:21,029 --> 00:17:24,330
Not like that, but yes, we've been good
friends for a very long time.
350
00:17:24,370 --> 00:17:27,911
And then coming out of lockdown and
everything else, still having the green
351
00:17:27,911 --> 00:17:32,473
screen, I had the honor of being able to
record.
352
00:17:32,513 --> 00:17:33,214
Lovely.
353
00:17:33,214 --> 00:17:37,539
Miss Clit for season two and you got quite
far with that, didn't you?
354
00:17:37,539 --> 00:17:37,979
Yeah.
355
00:17:37,979 --> 00:17:38,500
Yes.
356
00:17:38,500 --> 00:17:39,280
Wow.
357
00:17:39,441 --> 00:17:40,682
I gave it a go.
358
00:17:40,682 --> 00:17:44,406
I'm a very trying woman.
359
00:17:50,914 --> 00:17:54,377
See, what I love about that is, we were
saying how things were quite repetitive.
360
00:17:54,726 --> 00:17:59,630
And you know, the TV we did watch, I mean,
we all completed Netflix, like it was
361
00:17:59,630 --> 00:18:01,051
gaming, I just watched everything.
362
00:18:01,051 --> 00:18:02,293
And there was no new TV being made.
363
00:18:02,293 --> 00:18:03,454
They just couldn't do it.
364
00:18:03,454 --> 00:18:06,796
But actually giving you guys that space to
then go on social media and create that
365
00:18:06,796 --> 00:18:11,720
content to bring, I mean, people like me,
basically just more of what I wanted.
366
00:18:12,862 --> 00:18:15,844
And loads of people felt like that, you
know, what we serve through the media
367
00:18:15,844 --> 00:18:17,566
generally, there was a cutoff point.
368
00:18:17,566 --> 00:18:21,009
There was a certain amount of what you can
watch, an amount of what's being made.
369
00:18:21,009 --> 00:18:21,970
But actually.
370
00:18:21,970 --> 00:18:26,493
You guys then had that space to fill the
gaps that all of us wanted, I think, which
371
00:18:26,513 --> 00:18:27,774
was a gift.
372
00:18:27,774 --> 00:18:31,197
It is quite nice because Facebook has the
memories thing, doesn't it?
373
00:18:31,197 --> 00:18:31,598
Yeah.
374
00:18:31,598 --> 00:18:35,381
So some of the videos that I did
throughout Lockdown often pop up now.
375
00:18:35,381 --> 00:18:38,904
And I'm like, gosh, like there was one
green screen thing we had.
376
00:18:38,904 --> 00:18:41,286
It was like, I was like running through a
bloody roller coaster.
377
00:18:41,286 --> 00:18:44,809
It was nuts, but it was, yeah, it's nice
to have those kind of memories to look
378
00:18:44,809 --> 00:18:45,709
back on as well.
379
00:18:45,709 --> 00:18:49,793
So the three of us here, we have a good
friend called Mrs.
380
00:18:49,793 --> 00:18:51,094
Moore, John Moore.
381
00:18:51,094 --> 00:18:53,194
He was the best man at my wedding,
ironically.
382
00:18:53,194 --> 00:18:55,275
Brother from another mother.
383
00:18:59,296 --> 00:19:02,577
Yeah, we go way back and it was his kind
of thing.
384
00:19:02,677 --> 00:19:05,798
Even though he didn't have all the tech
kind of stuff and he only had an iPhone,
385
00:19:05,798 --> 00:19:10,179
which I got hold for him and some sort of
bits and pieces, which Shally Vape,
386
00:19:10,179 --> 00:19:11,359
Brighton Queen would do.
387
00:19:11,359 --> 00:19:16,241
Basically, he would do this kimono thing
where pretty much only dressed in his
388
00:19:16,241 --> 00:19:18,521
empress new clothes and some underwear.
389
00:19:18,521 --> 00:19:19,601
He'd wear this.
390
00:19:19,890 --> 00:19:36,134
No, no, no
391
00:19:49,810 --> 00:19:52,351
If you were doing it legally, you could
actually get some money from it.
392
00:19:52,351 --> 00:19:55,053
But even if it wasn't about the money, it
was about the sanity.
393
00:19:55,053 --> 00:19:57,374
Even if you're insane to do it.
394
00:19:57,374 --> 00:20:00,556
It's quite hard as a performer when you
don't have an audience.
395
00:20:00,556 --> 00:20:02,177
Exactly, it's the worst thing I've seen.
396
00:20:02,357 --> 00:20:03,118
Yeah.
397
00:20:03,118 --> 00:20:03,878
Very two-dimensional.
398
00:20:03,878 --> 00:20:05,039
You get in your head a bit.
399
00:20:05,039 --> 00:20:06,299
Yeah.
400
00:20:06,420 --> 00:20:10,002
It's quite funny because obviously you're
playing different personalities when
401
00:20:10,002 --> 00:20:11,263
you're on stage.
402
00:20:11,263 --> 00:20:15,305
And when you're talking to a computer
screen, your other personality, talking to
403
00:20:15,305 --> 00:20:16,365
people who are...
404
00:20:16,374 --> 00:20:21,315
just watching, you can't gauge a reply,
you can't gauge a laughter.
405
00:20:21,875 --> 00:20:23,776
That energy is missing isn't it?
406
00:20:23,776 --> 00:20:27,617
I think it was nice when you saw the
reactions and people putting love hearts
407
00:20:27,617 --> 00:20:29,757
and engaging with you.
408
00:20:29,757 --> 00:20:34,399
And then you end up saying hello to
multiple people like, hello so and so.
409
00:20:34,399 --> 00:20:39,340
And then you're like, oh I should do a
song now.
410
00:20:39,340 --> 00:20:43,561
It's clear that all of you are not only
immensely talented, but also incredibly
411
00:20:43,561 --> 00:20:44,402
resilient.
412
00:20:44,402 --> 00:20:47,112
Your stories have been truly inspiring and
enlightening.
413
00:20:47,112 --> 00:20:48,857
So thank you for sharing that with us.
414
00:20:50,742 --> 00:20:53,702
What would people do to support their
local drag ads?
415
00:20:54,723 --> 00:20:59,444
I think to support local drag is to just
go see local drag.
416
00:20:59,444 --> 00:21:04,325
Obviously with the success of Drag Race,
everybody flocks to the Drag Race shows
417
00:21:04,325 --> 00:21:08,226
when these Drag Race queens are performing
and I go see them, they're great because
418
00:21:08,226 --> 00:21:09,707
they're still dragged.
419
00:21:09,707 --> 00:21:12,468
I'm intrigued to see what they can do off
of the show.
420
00:21:12,468 --> 00:21:16,869
But I think in terms of supporting local
queens is go and see local queens.
421
00:21:16,869 --> 00:21:19,629
Don't just flock to mainstream queens.
422
00:21:19,734 --> 00:21:24,816
This city is thankfully so rich with the
amount of drag that we have here.
423
00:21:24,916 --> 00:21:29,719
And you can go any night of the week here
in Brighton and to any of the bars and
424
00:21:29,719 --> 00:21:33,021
you'll see a drag show, whether it's a
bingo, whether it's a quiz, whether it's a
425
00:21:33,021 --> 00:21:34,401
full on cabaret.
426
00:21:34,561 --> 00:21:38,243
There's so much out there that you don't
need to just focus on the mainstream.
427
00:21:38,243 --> 00:21:41,725
Like, and I actually think this is
probably controversial, but I actually
428
00:21:41,725 --> 00:21:42,786
think it's better.
429
00:21:42,846 --> 00:21:47,348
I think a lot of the times just seeing
local drag is just better and seeing
430
00:21:47,348 --> 00:21:49,469
somebody that you've never heard of.
431
00:21:49,746 --> 00:21:52,287
you may never see again or you'll follow
them or whatever.
432
00:21:52,287 --> 00:21:53,708
I think that is the best thing.
433
00:21:53,708 --> 00:21:56,889
Like that is just, that to me is what true
British drag is.
434
00:21:56,889 --> 00:22:00,331
Like going to these pubs, going to these
nightclubs, seeing that, that to me is
435
00:22:00,331 --> 00:22:01,052
British drag.
436
00:22:01,052 --> 00:22:02,833
And, you know, I utilize social media.
437
00:22:02,833 --> 00:22:06,374
I know a lot of us do follow them on
social media, see what they're doing, buy
438
00:22:06,374 --> 00:22:10,857
merchandise, you know, if they stream a
song or release a song, go and, you know,
439
00:22:10,857 --> 00:22:12,337
support in that way.
440
00:22:12,338 --> 00:22:15,519
But I think the main thing is to just go
and see them.
441
00:22:15,639 --> 00:22:16,260
And talk to us.
442
00:22:16,260 --> 00:22:17,480
We all talk after shows.
443
00:22:17,480 --> 00:22:18,201
Yeah.
444
00:22:18,201 --> 00:22:19,901
We all talk and we're not.
445
00:22:19,926 --> 00:22:23,327
I don't think anyone here in the city
particularly is a diva that's done and
446
00:22:23,327 --> 00:22:23,788
that's it.
447
00:22:23,788 --> 00:22:24,628
And then they walk off.
448
00:22:24,628 --> 00:22:26,249
We probably are all pissed with you after.
449
00:22:26,249 --> 00:22:30,191
We're about to be on it.
450
00:22:30,191 --> 00:22:31,652
No, and I think that's another thing.
451
00:22:31,652 --> 00:22:33,073
Don't be afraid to talk to us.
452
00:22:33,073 --> 00:22:34,854
Like we're not monsters.
453
00:22:34,854 --> 00:22:37,835
Like come in with human beings and talk to
us.
454
00:22:37,835 --> 00:22:39,196
We're exactly the same as you.
455
00:22:39,196 --> 00:22:43,158
Like, I think it is, like you say, just
encouraging everyone and like going to see
456
00:22:43,158 --> 00:22:43,678
people.
457
00:22:43,678 --> 00:22:49,161
And obviously the venues that we perform
in needs an audience.
458
00:22:49,161 --> 00:22:49,901
So.
459
00:22:50,322 --> 00:22:55,103
use it or lose it because once venues
start going and artists can't perform,
460
00:22:56,344 --> 00:22:56,744
what can we do?
461
00:22:56,744 --> 00:22:58,285
Yeah, we're in a central cog in the wheel.
462
00:22:58,285 --> 00:22:59,586
Yeah, yeah.
463
00:22:59,586 --> 00:23:01,066
A cog in the wheel, a cog in the machine.
464
00:23:01,066 --> 00:23:03,407
Yeah, yeah.
465
00:23:03,407 --> 00:23:09,190
And entertainment, whether it be drag,
singers, bands, does bring in crowds.
466
00:23:09,190 --> 00:23:09,290
Yeah.
467
00:23:09,290 --> 00:23:12,891
If people are spending, it helps the venue
out and it helps the artists out.
468
00:23:12,891 --> 00:23:14,732
And we do it so well, don't we, as a
nation?
469
00:23:14,732 --> 00:23:17,653
I always think that whenever I go and see
something live, not something that's, you
470
00:23:17,653 --> 00:23:18,110
know,
471
00:23:18,110 --> 00:23:21,633
necessarily big stadium vibe, but whenever
I go to something that's fairly local or
472
00:23:21,633 --> 00:23:22,693
just at a theatre, I'm like, we're so
good.
473
00:23:22,693 --> 00:23:26,617
Yeah, we're so good at it.
474
00:23:26,617 --> 00:23:28,498
And the diversity of it as well.
475
00:23:28,498 --> 00:23:30,240
Oh yeah, absolutely.
476
00:23:30,240 --> 00:23:33,042
I mean, I love a festival vibe, but
there's nothing better than going to a
477
00:23:33,042 --> 00:23:39,247
very intimate space to see a show that it
feels like you have more of a connection.
478
00:23:39,247 --> 00:23:43,891
It's nice, it's really nice, you know, and
you feel something and that's great.
479
00:23:43,891 --> 00:23:46,774
I've known sign language for about 20
years.
480
00:23:46,774 --> 00:23:53,395
And I recently had the opportunity through
just signing a number in a drag show a few
481
00:23:53,395 --> 00:23:54,796
years ago, pre-COVID.
482
00:23:54,796 --> 00:23:57,577
And then somebody said, Oh, would you do
Worthing Pride?
483
00:23:57,577 --> 00:23:58,737
Would you do Seaford Pride?
484
00:23:58,737 --> 00:24:00,137
Would you do Southampton Pride?
485
00:24:00,137 --> 00:24:01,098
Great young.
486
00:24:01,098 --> 00:24:03,018
So now I'm actually a signer.
487
00:24:03,018 --> 00:24:04,979
I do it in drag most of the time.
488
00:24:04,979 --> 00:24:06,239
It's so casual.
489
00:24:06,239 --> 00:24:08,140
And I love doing it.
490
00:24:08,140 --> 00:24:14,341
And that was actually one of the things
that helped me, should we say, mentally.
491
00:24:15,586 --> 00:24:18,087
disability inclusivity basis.
492
00:24:18,087 --> 00:24:22,410
I'm epileptic and for me to, I'm stood on
the stage and it wouldn't, if you've got a
493
00:24:22,410 --> 00:24:26,914
huge field of people wouldn't matter
whether it was three people or 300 that
494
00:24:26,914 --> 00:24:30,996
were deaf and ambitio or hard of hearing
in, you know, in that field.
495
00:24:30,996 --> 00:24:34,759
I was at Southampton once and I was doing
Bad to the Devil You Know by Kylie and
496
00:24:34,759 --> 00:24:35,720
sign language.
497
00:24:35,720 --> 00:24:40,143
And then I spot it because of their body
language, three deaf gay chaps, the corner
498
00:24:40,143 --> 00:24:42,925
and they're going, I'm illustrating with
my hands.
499
00:24:44,174 --> 00:24:47,636
thank you for enjoying yourselves and
British Sign Language to me.
500
00:24:47,677 --> 00:24:52,241
Shortly after bereavement I suffered, I
was just, I had to go stage-fighting this
501
00:24:52,241 --> 00:24:53,903
kind of thing, pulling my own self.
502
00:24:53,903 --> 00:24:58,046
And if something like, the gift that I've
got, whether it be doing Dragon singing
503
00:24:58,046 --> 00:25:02,070
songs or whether doing Dragon signing to
them, if something I can do gives
504
00:25:02,070 --> 00:25:06,934
something back, they'll appreciate what we
all do at home.
505
00:25:07,455 --> 00:25:09,197
It's fulfilling.
506
00:25:09,197 --> 00:25:10,537
It really is fulfilling.
507
00:25:12,182 --> 00:25:13,562
One more question for you, though.
508
00:25:13,562 --> 00:25:15,082
Do you ever embellish?
509
00:25:15,122 --> 00:25:17,583
Do you directly translate or do you add a
few extras?
510
00:25:17,583 --> 00:25:22,124
No, depending on context, I might have to
find a keyword and build around.
511
00:25:22,124 --> 00:25:27,206
You know, I was going to say find context,
but no, I mean, it's only a family event.
512
00:25:29,287 --> 00:25:34,428
There are certain V words and C words and
other words that we couldn't possibly
513
00:25:34,428 --> 00:25:36,609
mention on air, let alone in a field.
514
00:25:40,962 --> 00:25:42,943
Thank you for sharing your experiences.
515
00:25:42,943 --> 00:25:46,706
It's really important, but we do know that
there are people listening that might
516
00:25:46,706 --> 00:25:51,449
still construct me, might be going through
some difficult situation themselves.
517
00:25:51,449 --> 00:25:54,031
What advice would you give to them?
518
00:25:54,031 --> 00:25:56,673
I want to start with you, my right wing
and you being Mary.
519
00:25:56,673 --> 00:25:59,976
Find something joyful every single day.
520
00:25:59,976 --> 00:26:05,540
Find joy in something, whether it's, I
don't know, cutting your nails.
521
00:26:05,540 --> 00:26:07,618
I don't care whether it's like, I don't
know.
522
00:26:07,618 --> 00:26:12,019
having a shower, find the joy in at least
one thing you do every day.
523
00:26:12,019 --> 00:26:17,720
And if you start to build on that as like
a daily manifestation, it will translate
524
00:26:17,720 --> 00:26:19,161
to a free day life.
525
00:26:19,161 --> 00:26:25,142
So find something that makes you happy,
that brings you joy, something you love.
526
00:26:25,303 --> 00:26:27,643
Whether, you know, you're the type of
person that being charitable makes you
527
00:26:27,643 --> 00:26:31,344
happy and you want to give back to
something or someone, whatever it is, it
528
00:26:31,344 --> 00:26:35,745
can be so mind you, just find joy every
single day and
529
00:26:35,902 --> 00:26:38,642
it will manifest into such a bigger thing.
530
00:26:38,682 --> 00:26:41,503
It's something about positivity, I think.
531
00:26:41,503 --> 00:26:45,324
No matter what hardships you face at the
end of the day, you find something you're
532
00:26:45,324 --> 00:26:50,646
good at or find something that interests
you, take it, harness it, and just hold
533
00:26:50,646 --> 00:26:56,167
onto it and feed off of it, but to know
this can make me feel better about myself.
534
00:26:56,267 --> 00:26:59,008
And that's what I do every day.
535
00:26:59,008 --> 00:27:01,809
I'd always say never feel like you're
alone.
536
00:27:01,809 --> 00:27:04,169
Always make sure you have good people
around you.
537
00:27:04,478 --> 00:27:08,860
always communicate where you can, always
remember that things always will get
538
00:27:08,860 --> 00:27:09,740
better.
539
00:27:10,021 --> 00:27:14,363
If you have a positive outlook, it's like
when you talk and you smile, you have that
540
00:27:14,383 --> 00:27:16,204
automatic response.
541
00:27:16,364 --> 00:27:20,946
If you just have that positive attitude,
things will always happen for the good.
542
00:27:21,267 --> 00:27:24,108
That's my philosophy and I always stick by
it.
543
00:27:24,108 --> 00:27:25,569
Positiveity is key.
544
00:27:25,569 --> 00:27:26,770
Negativeity never helps.
545
00:27:26,770 --> 00:27:32,853
I know, and as much as sometimes some
people, they can find it hard to find
546
00:27:32,853 --> 00:27:34,026
positivity.
547
00:27:34,026 --> 00:27:39,370
look around, look around you, you know,
find inspiration at the end of the day.
548
00:27:39,370 --> 00:27:40,851
Life's too short.
549
00:27:40,851 --> 00:27:42,272
And we all have off days.
550
00:27:42,272 --> 00:27:45,115
That's just human nature, but just always.
551
00:27:45,115 --> 00:27:46,296
Don't make it all the time.
552
00:27:46,296 --> 00:27:53,862
There's one popular drag queen says, can I
get an amen up in here?
553
00:27:53,862 --> 00:27:56,124
Your passion for the art of drag is
infectious.
554
00:27:56,124 --> 00:27:58,566
So thank you all for sharing your
experiences and for adding a touch of
555
00:27:58,566 --> 00:28:01,128
glamour and glitter to our show today.
556
00:28:01,128 --> 00:28:02,589
We did, we did have someone in drag
earlier.
557
00:28:02,589 --> 00:28:03,809
That's why we're saying.
558
00:28:07,063 --> 00:28:08,644
Mary was looking way fabulous.
559
00:28:08,644 --> 00:28:10,125
Yes, I am now.
560
00:28:10,125 --> 00:28:11,606
Putting a sword to shame.
561
00:28:11,606 --> 00:28:12,186
Still fabulous.
562
00:28:12,186 --> 00:28:17,429
And there's Ninja and I like Death Becomes
her.
563
00:28:19,390 --> 00:28:23,712
Thank you, Flynn, Harry and Stephen for
joining us on this episode.
564
00:28:23,853 --> 00:28:28,255
And a huge thank you to our listeners for
tuning in to Talking Hospitality with two
565
00:28:28,255 --> 00:28:29,696
T's and a catelle.
566
00:28:29,776 --> 00:28:33,158
We hope you enjoyed this journey into the
world of drag as much as we did.
567
00:28:33,314 --> 00:28:37,883
Don't forget to subscribe on your
favourite podcast platform and leave a
568
00:28:37,883 --> 00:28:42,733
review if it's nice and join us next time
as we continue to explore all things
569
00:28:42,733 --> 00:28:43,675
hospitality.
570
00:28:43,675 --> 00:28:45,037
Stay fabulous.
Drag Artist
Mary O’Kart is a drag artist and powerhouse on the UK cabaret scene. She has performed at multiple prides around the country, has performed overseas in Bulgaria, has worked with brands such as ASOS and was a semi-finalist in the 2023 nationwide competition “Drag Idol”.
Drag Artiste
Stephanie Von Clitz known as the Dorset tart with a heart has been performing around the country and at many Pride events for the last 13 years, originally starting in London where she made her name she’s now living in Brighton. Stephanie is also an ambassador of the charity Cancer is a Drag.
As well as consistent work within the cabaret scene she has also performed in pantos, musicals and a few TV shows and looks forward to what the future holds for her career moving forward. Her most recent ahievement to date is being a co organizer of the Marine Tavern stage street party stage for brighton Pride which she will be entering her 9th year in 2024 doing.
Guest
Have been a drag queen for over 15 years. Previously I was a DJ in my twenties. I also work as a BSL (sign language) interpreter around the country.